The writing for both musical and spoken portions of the film are equally strong, with both complimenting each other quite nicely. The famous opening song from the film Gold Diggers of 1933, performed by Ginger Rogers. The Warner Bros. musical about sassy showgirls and their in-the-money beaus has become iconic, thanks in part to lampoons in Preston Sturges’ SULLIVAN’S TRAVELS (where … Presented by the Film Geeks San Diego. Indeed, for an actress like Ginger Rogers, “a glimpse of stocking” was really, nothing shocking … After organising military parades as an army officer in the First World War, he made his name as the creator of some of the most astonishing set pieces in cinema with an unrivalled trio of 1933 pre-Code musicals; The Gold Diggers of 1933, Footlight Parade and 42nd Bacon Street, Berkeley managed to turn the chorus line into an art form. (Off 805 Freeway on corner of 30th Street and El Cajon Blvd), August 29, 2019, Comments Off on Buñuel in the Labyrinth of the Turtles (August 30 – September 12), August 22, 2019, Comments Off on Rojo (August 23 – August 29), August 1, 2019, Comments Off on Visions of Science Fiction: A Boy and His Dog (August 12), March 7, 2018, Comments Off on Noir on the Blvd: THE LONG GOODBYE (March 12), « Previous Last Chance Indies: Framing John DeLorean (July 19 – July 25) Horrible Imaginings Presents: Darlin’ (July 26 – August 1) Next ». Ruby Keeler and Dick Powell are believable as the film’s central romance, as the two have immediate chemistry in both their musical and non-musical scenes. visionary talent behind the camera, Busby Berkeley’s energetic musical sequences, and a hilarious story set during America’s depression makes for one of the most memorable Pre-Code films of the era. Gold Diggers of 1933 (dir. Pepper’s Lonely Hearts Film Club for any amount of time probably already knows that I have a weakness towards musical films. poetry. Aline MacMahon’s Trixie is purposely naughty in her “seduction” of Fanny, providing some of the film’s more laugh out loud moments. Filed under Classic Musicals, Pre-Code Hollywood, Reviews, Tagged as Aline MacMahon, Avery Hopwood, Ben Markson, Busby Berkeley, Classic Musicals, David Boehm, Dick Powell, Edwin S. Gelsey, Ginger Rogers, Gold Diggers of 1933, Guy Kibbee, I Am a Fugitive from a Chain Gang, James Seymour, Joan Blondell, Mervyn LeRoy, Musical, Ned Sparks, Pettin' in the Park, Pre-Code, Pre-Code Hollywood, Remember My Forgotten Man, Ruby Keeler, The Gold Diggers, The Shadow Waltz, Warren William, We're in the Money. Visions of Science Fiction: A Boy and His Dog (August 12), Noir on the Blvd: THE LONG GOODBYE (March 12), Last Chance Indies: Framing John DeLorean (July 19 – July 25), Horrible Imaginings Presents: Darlin’ (July 26 – August 1), DGC@Home: Małni – Towards the Ocean, Towards the Shore (Begins April 16), DGC@Home: This is Not a Burial, It’s a Resurrection (Begins April 16). With solid performances across the board, inventive direction from two of the most consistent filmmakers of the era, and a screenplay that will put a permanent smile on your face, there’s a lot here to love. Things become severely complicated when Brad’s brother Lawrence (Warren William) shows up to stop Brad from falling in love with a “gold digger”. Breaking Commandments: Pre-Code Hollywood – Gold Diggers of 1933 (1933) (August 11) In GOLD DIGGERS OF 1933, things get tough for Carol (Joan Blondell) and her showgirl pals (Ruby Keeler, Aline MacMahon) when the Great Depression kicks in and all the Broadway shows close down. Even a doctor who thought he was God. “We’re in the Money” is garish and showy, “Pettin’ in the Park” is playful, silly, and titillating, “The Shadow Waltz” stands out from the crowd by being rather beautiful and understated, not quite matching the rest of the film’s tone, and “Remember My Forgotten Man” features a hint of German expressionism and says a great deal about living in poverty during the depression. Mervyn LeRoy • Starring: Joan Blondell , Ginger Rogers , Aline MacMahon Comedy • Comedy of Errors • Musical Gold Diggers of 1933 (1933) Trivia. Much of the screwball elements introduced during the film’s second half are genuinely hilarious, even more than 80 years later – Trixie’s faux seduction of “Fanny” Peabody (Guy Kibbee) is my personal favorite part, but there’s just so much to love about it as a whole. ( Log Out /  Gold Diggers of 1933 is not only the finest of the Busby Berkely musicals, not only the pinnacle of Warner Brothers' pre-code licentiousness, it is the very heart of depression-era America. Gold Diggers of 1933 has a title that dates it in the most literal manner possible in that it literally dates the movie as a product of 1933.. For a movie whose title doubles as shorthand for a movie that isn’t just old but ancient, a super duper mega old timey relic of our distant cultural past, Gold Diggers of 1933 has a shockingly modern sensibility. The Hays Code, which set moral guidelines for movie studios, was instituted in 1930 but not strictly enforced until the middle of 1934. Movies & Showtimes for Pre-Code Hollywood Matinee Series. Producer Barney Hopkins (Ned Sparks) is desperate to put on a show with the girls, but is struggling to find any source of funding. Tickets available at box office or online. See more » Gold Diggers of 1933 easily gets my highest recommendation. With four credited writers (two for dialogue, two for the screenplay) it could have been disastrous for the film – one of the major problems with modern films is having too many cooks in the kitchen. ITEM: This is a vintage and original Warner Bros. production still photograph featuring one of the many risqué and beautiful chorus girls from the 1933 pre-Code musical, Gold Diggers of 1933.Renee Whitney wears a daring, abbreviated one-shouldered costume that is … endless musings... Imprimez et transformez vos contenus digitaux, blogs et réseaux sociaux, en magnifiques livres papier sur blookup.com, This Blog is about discovering the magic of forests in every aspect of life from a small plant in a metropolis to the forests themselves, : Edwin S. Gelsey, James Seymour, Ben Markson (dialogue), David Boehm (dialogue) (based on, : Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, Dick Powell, Ginger Rogers, Ned Sparks, Guy Kibbee. Its musical numbers are brilliant choreographed and staged by the master Busby Berkeley, turning Gold Diggers into one of the most visually striking musicals ever produced in Hollywood. scottman1932. Change ), You are commenting using your Google account. Even if you don’t like old movies you’ve probably heard of GOLD DIGGERS OF 1933. Pepper’s Lonely Hearts Film Club for any amount of time probably already knows that I have a weakness towards musical films. ( Log Out /  Producer Barney Hopkins (Ned Sparks) is desperate to put on a show with the girls, but is struggling to find any source of funding. 11:30AM BUY TICKETS. This series focuses on films made between 1930 and 1934 and highlights how openly suggestive some of these films were and how blissfully defiant they were of the Code authority (that defiance, however, would bring on more forceful self-censorship that would last well into the 1960s). The screenplay is hilarious and often risque, tackling the American depression head-on. The film ends with “Remember My Forgotten Man”, a rather dark commentary about the depression, war veterans, and the ultimately false promise of change – what a powerful statement for such a silly, energetic musical. The screenplay is hilarious and often risque, tackling the American depression head-on. As with many other musical films, the song and dance sequences are the strongest element of. There were a few scenes that indicate this was a pre-Code film. Brad eventually comes up with the money for the play, leading the Gold Diggers and Barney to suspecting him of criminal activity. Wealthy songwriter Brad (Dick Powell) saves the day by funding a new Depression-themed musical for the girls … Pre-Code Films could be exploitative and lurid or sophisticated and adult. Each musical sequence feels completely separate from the last, with all of them bringing striking visuals and seamless choreography that never overstays its welcome. It’s in the second half of Gold Diggers of 1933 where the performances finally begin to stand out as something special – chemistry between actors is obvious, characters are developed, and our four main “gold diggers” are finally allowed to show us what they’ve got to offer. GOLD DIGGERS OF 1933 presented on special 16MM print. Anybody who has read Sgt. , which is saying a great deal because of its zany underlying story. The film has Hugh Herbertas the theatrical production company’s censor, and the movie takes great glee in mocking his inanity. sees four aspiring stage actresses Polly (Ruby Keeler), Carol (Joan Blondell), Trixie (Aline MacMahon), and Fay (Ginger Rogers) struggling to find work during the depression. In truth, Brad is the son in a millionaire family that despises the theater. "Gold Diggers of 1933" Warner Bros. - 1933 - Musical - Pre-Code Starring: Dick Powell Ruby Keeler Joan Blondell Aline MacMahon Ginger Rogers I… Change ), You are commenting using your Twitter account. Gold Diggers of 1933 sees four aspiring stage actresses Polly (Ruby Keeler), Carol (Joan Blondell), Trixie (Aline MacMahon), and Fay (Ginger Rogers) struggling to find work during the depression. Warren William, the stalwart leading man of pre-Production Code talkies, was born Warren William Krech on December 2, 1894 in Aitkin, Minnesota, the son of a newspaper publisher. Key sub-plot revolves around a young songwriter who, after giving 15,000 dollars to a struggling theatre company, is accused of robbing a bank. ( Log Out /  Mervyn LeRoy) is just as gaudy, just as representative of the dirty ’30s, as its title promises. Another was when a male stagehand pats one of the chorus girls on the rear end a few times. After hearing their neighbor Brad Roberts (Dick Powell) playing the piano and finding out his talents as a singer-songwriter, he is recruited for the hypothetical show. Starring Ruby Keeler, Dick Powell, Joan Blondell and Ginger Rogers and features Warren William, Guy Kibbee, Ned Sparks and Aline MacMahon. Warren William, Actor: Employees' Entrance. Gold Diggers of 1933 combines my favorite genre with elements of Pre-Code Hollywood into one impossible to hate package. Gold Diggers of 1933 is a pre-Code Warner Bros. musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics), staged and choreographed by Busby Berkeley. Change ), You are commenting using your Facebook account. Anybody who has read Sgt. where the performances finally begin to stand out as something special – chemistry between actors is obvious, characters are developed, and our four main “gold diggers” are finally allowed to show us what they’ve got to offer. Its musical numbers are brilliant choreographed and staged by the master Busby Berkeley, turning. Brad eventually comes up with the money for the play, leading the Gold Diggers and Barney to suspecting him of criminal activity. Luckily for. Things become severely complicated when Brad’s brother Lawrence (Warren William) shows up to stop Brad from falling in love with a “gold digger”. Dec 20, 2012 - Screencaps from "Gold Diggers of 1933," a MGM movie from...1933. Gold Diggers of 1933 (1933) $11 General Admission / $8.50 Students & Seniors / $7.50 Members. A few of other pre code gems would be "The Little Giant" (1933), "Love Me Tonight" (1932), This Is The Night" (1932), "Trouble In Paradise" (1932), 'Women They Talk About" (1933), "Skyscraper Souls" (1932), "Beauty And The Boss" (1932). Not only does. Ruby Keeler and Dick Powell are believable as the film’s central romance, as the two have immediate chemistry in both their musical and non-musical scenes. Also worth noting is Ginger Rogers’ early performance as Fay, who tries to seduce one of the three wealthy men, but ultimately fails. ( Log Out /  We open with a rendition of the now famous song “We’re in the Money”, which sets an ironic tone for the depression-era set movie to come, especially when the show is immediately shut down due to lack of funding. Pre-Code Hollywood #15 – Of Human Bondage (1934), Pre-Code Hollywood #14 – Gold Diggers of 1933 (1933), Follow Sgt. Pre-Code Hollywood refers to an era in motion pictures from the arrival of sound in the late 1920s to the mandatory enforcement of the Motion Picture Production Code in July 1934. Gold Diggers of 1933 is one of the most triumphant films of the Pre-Code Hollywood era, genuinely pushing the envelope of accepted movie morality, and providing a funny and insightful commentary on depression-era America. Luckily for Gold Diggers of 1933, this simply isn’t the case. May 11, 2013 - Screencaps from "Gold Diggers of 1933," a MGM movie from...1933. Also worth noting is Ginger Rogers’ early performance as Fay, who tries to seduce one of the three wealthy men, but ultimately fails. “We’re in the Money” is garish and showy, “Pettin’ in the Park” is playful, silly, and titillating, “The Shadow Waltz” stands out from the crowd by being rather beautiful and understated, not quite matching the rest of the film’s tone, and “Remember My Forgotten Man” features a hint of German expressionism and says a great deal about living in poverty during the depression. is one of the most triumphant films of the Pre-Code Hollywood era, genuinely pushing the envelope of accepted movie morality, and providing a funny and insightful commentary on depression-era America. Selected Essays and Squibs by Joseph Suglia. We get musical numbers like “Pettin’ in the Park” that features a heavy dose of eroticism thanks to some near-nudity, naughty lyrics, and a very, very curious and nearly voyeuristic “baby” causing mayhem in the titular park. Director Mervyn LeRoy’s (. ) Sun, Jan 1st Join in as we discuss our favorite Berkeley parodies, the Gold Diggers franchise, connections to 42nd Street, the Blazing Saddles TV show, and the making of a movie about the Great Depression while the United States was still in its throes. , this simply isn’t the case. into one of the most visually striking musicals ever produced in Hollywood. With solid performances across the board, inventive direction from two of the most consistent filmmakers of the era, and a screenplay that will put a permanent smile on your face, there’s a lot here to love. Pepper's Lonely Hearts Film Club on WordPress.com, Pre-Code Hollywood #13 – The Bitter Tea of General Yen (1933), Pre-Code Hollywood #12 – Baby Face (1933), Pre-Code Hollywood #11 – The Sign of the Cross (1932), Pre-Code Hollywood #9 – Red-Headed Woman (1932), Pre-Code Hollywood #8 – The Most Dangerous Game (1932), Pre-Code Hollywood #7 – I Am a Fugitive from a Chain Gang (1932), Pre-Code Hollywood #6 – Blonde Venus (1932), Pre-Code Hollywood #5 – The Public Enemy (1931), Pre-Code Hollywood #4 – Night Nurse (1931). is the direction of musical sequences by the famous choreographer Busby Berkeley. As with many other musical films, the song and dance sequences are the strongest element of Gold Diggers, which is saying a great deal because of its zany underlying story. Gold Diggers of 1933 We're back in the pre-code era this week for a look at Mervyn LeRoy and Busby Berkeley's hit musical Gold Diggers of 1933. Change ), Dolphins, Whales, Oceans, Photography & Life - Be inspired to be a Voice for the Blue, A Hotelier By Trade and A Traveler At Heart, music,film,fashion,art,poetry all that life brings. Aline MacMahon’s Trixie is purposely naughty in her “seduction” of Fanny, providing some of the film’s more laugh out loud moments. Director Mervyn LeRoy’s (I Am a Fugitive from a Chain Gang) visionary talent behind the camera, Busby Berkeley’s energetic musical sequences, and a hilarious story set during America’s depression makes for one of the most memorable Pre-Code films of the era. 'Gold Diggers of 1933', as a "pre-code" movie, included some risqué scenes, such as the chorus girls getting changed, precisely because they increased ticket sales. All films presented on 35MM. According to "Sin in Soft Focus: Pre-Code Hollywood" by Mark A. Vieira (Harry N. Abrams, 1999), this was one of the first American films made and distributed with alternate footage in order to circumvent censorship problems. Gold Diggers of 1933 is a 1933 pre-Code Warner Bros. musical film directed by Mervyn LeRoy with songs by Harry Warren and Al Dubin, staged and choreographed by Busby Berkeley.It starred Joan Blondell, Ruby Keeler, Dick Powell, Ginger Rogers, and Billy Barty in his first role (as a horny man-baby.). From the very opening moments of Gold Diggers of 1933, I knew that the film was going to be an absolute treat. This is a pre-code backstage musical includes numbers choreagraphed by Busby Berkeley. After hearing their neighbor Brad Roberts (Dick Powell) playing the piano and finding out his talents as a singer-songwriter, he is recruited for the hypothetical show. Directed by: Mervyn LeRoy, Busby Berkeley His direction elevates the film from being another depression-set comedy film to being a memorable, erotic, energetic, and visually unique masterpiece of the musical genre. Few other musical films boast such a diverse set of musical numbers, and even fewer can live up to the brilliance of the mad “Pettin’ the the Park”. In truth, Brad is the son in a millionaire family that despises the theater. This series focuses on films made between 1930 and 1934 and highlights how openly suggestive some of these films were and how blissfully defiant they were of the Code authority (that defiance, however, would bring on more forceful self-censorship that would last well into the 1960s). Next is Joan Blondell, someone who’s Pre-Code content, especially in films like The Gold Diggers of 1933 and Havana Widows, reveal her to be that kind of woman you don’t see anymore: smart, sexy, self confident, in it for herself, and thoroughly unashamed of any of that. combines my favorite genre with elements of Pre-Code Hollywood into one impossible to hate package. In GOLD DIGGERS OF 1933, things get tough for Carol (Joan Blondell) and her showgirl pals (Ruby Keeler, Aline MacMahon) when the Great Depression kicks in and all the Broadway shows close down. Starring Ruby Keeler, Dick Powell, Joan Blondell and Ginger Rogers and features Warren William, Guy Kibbee, Ned Sparks and Aline MacMahon. Home » CINEMA, DIGITAL GYM BLOG, EVENTS, EVENTS, MEDIA ARTS CENTER BLOG » Breaking Commandments: Pre-Code Hollywood – Gold Diggers of 1933 (1933) (August 11). Some of these can even be seen on TCM. The real star of the show in Gold Diggers of 1933 is the direction of musical sequences by the famous choreographer Busby Berkeley. Joan Blondell’s Carol is passionate and seductive, making quick work of Warren Williams’ Lawrence. In films such as 42nd Street and Gold Diggers of 1933 (1933), Berkeley choreographed a … on Buñuel in the Labyrinth of the Turtles (August 30 – September 12), on Visions of Science Fiction: A Boy and His Dog (August 12), on Noir on the Blvd: THE LONG GOODBYE (March 12), Breaking Commandments: Pre-Code Hollywood – Gold Diggers of 1933 (1933) (August 11). Ginger Rogers and “a glimpse of stocking” in Rafter Romance (1933) During “pre-code” Hollywood, a good motto for filmmakers could have been “ Anything Goes ” — a Cole Porter song of the period. Gold Diggers of 1933 is a pre-code musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics), staged and choreographed by Busby Berkeley. "Can't you hear that wailing?" It stars Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler and Dick Powell, … Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. novels. Much of the screwball elements introduced during the film’s second half are genuinely hilarious, even more than 80 years later – Trixie’s faux seduction of “Fanny” Peabody (Guy Kibbee) is my personal favorite part, but there’s just so much to love about it as a whole. Sat, Dec 31st Gold Diggers of 1933. Each musical sequence feels completely separate from the last, with all of them bringing striking visuals and seamless choreography that never overstays its welcome. The film ends with “Remember My Forgotten Man”, a rather dark commentary about the depression, war veterans, and the ultimately false promise of change – what a powerful statement for such a silly, energetic musical. It was a period often referred to as “pre-code” Hollywood. Create a free website or blog at WordPress.com. With four credited writers (two for dialogue, two for the screenplay) it could have been disastrous for the film – one of the major problems with modern films is having too many cooks in the kitchen. “The movie thrives and survives on Berkeley’s genius; for all his spectacular theatrical flair, he’s a sociobiologist in rhythm.” – The New Yorker. The "gold diggers" are four aspiring actresses: Polly, Carol, Trixie, and Fay. Joan Blondell’s Carol is passionate and seductive, making quick work of Warren Williams’ Lawrence. “The Gold Diggers of 1933,” choreographed by Busby Berkeley, is a little bit of both. Pre-Code Hollywood #14 – Gold Diggers of 1933 (1933) May 27, 2017; Pre-Code Hollywood #13 – The Bitter Tea of General Yen (1933) May 22, 2017; Pre-Code Hollywood #12 – Baby Face (1933) May 15, 2017; Pre-Code Hollywood #11 – The Sign of the Cross (1932) May 8, 2017; Pre-Code Hollywood #10 – Scarface (1932) April 28, 2017 Ned Sparks asks us, as Dick Powell hammers out a … , I knew that the film was going to be an absolute treat. We get musical numbers like “Pettin’ in the Park” that features a heavy dose of eroticism thanks to some near-nudity, naughty lyrics, and a very, very curious and nearly voyeuristic “baby” causing mayhem in the titular park. have all the charm and wit of classic musical films of the era, but it also becomes something of a madcap screwball comedy in its second half – we are treated to mistaken identities, overly complicated plots to seduce and distract certain parties, and more banter than you can shake a stick at. screenplays. 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